Harp Info
Kudos
Simply one of the best jobs I’ve ever seen on the internet about the harmonica: very clear and at the same time I can feel your dedication to this instrument.
— Christelle BerthonRecent Comments
- Wilf on It’s Bad You Know – R L Burnside [..with tab]
- Wilf on It’s Bad You Know – R L Burnside [..with tab]
- Wilf on 3rd Position Blues Harp – An Introduction
- Wilf on Introduction to Sonny Boy II Harmonica Technique
- Curly on It’s Bad You Know – R L Burnside [..with tab]
- Russell on 3rd Position Blues Harp – An Introduction
Partners
Monthly Archives: November 2009
Harmonica Effects 1 – Police Sirens
Our Lady of blessed acceleration don’t fail me now As we know, every Blues Harp player grows twitchy when they hear the sound of Cop Cars in pursuit. Unless, of course, they happen to be driving one themselves. But have … Continue reading
Posted in Hints And Tips
2 Comments
Journeyman’s Road by Adam Gussow, pt 2
Ignoring the politics of blues music is like ignoring the crocodile swimming in your Coco Pops. Elwood the Apprentice looks at Gussow’s essays on how to position yourself within the blues tradition. “He was wearing a pink tuxedo and patent … Continue reading
Posted in Apprenticeship Series, Reference
13 Comments
The Sailor’s Hornpipe [..with tab]
All the nice girls love a sailor As an island nation, a good deal of Britain’s military, economic and cultural tradition is drawn from its seafaring experience. So what better way to mark the romance of our heritage than a … Continue reading
Posted in Tab
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Old-School Harmonica or New-School?
After chatting to Joe Filisko, Elwood the Apprentice wonders if blues harmonica really needs a war of the clones Those of you who’ve been paying attention will see that I recently posted a (rather overdue) Q&A with Chicago harmonica master … Continue reading
Posted in Apprenticeship Series
6 Comments
5 Questions for Joe Filisko
Elwood the Apprentice chats to the master of old-school blues harmonica. Considering Joe Filisko devoted decades of his life to studying and mastering the styles of bluesmen long deceased, there’s nobody in the world who knows more about what it takes to be Little Walter, Big Walter, or any kind of Sonny. Continue reading
Posted in Apprenticeship Series, Interviews
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