Interview with Christelle Berthon

Elwood the Apprentice in conversation with the undisputed harmonica queen of YouTube.

By turns bold as hell and surprisingly self-doubting, Christelle Berthon is one of the most closely watched harmonica players on the web (over 2 million pairs of eyeballs, according to her YouTube stats). She’s a different kind of harmonica hero: instead of gin-soaked juke joints where the smoke hangs low off the ceiling, she found fame playing to jam tracks in front of a web cam at home.

She took time out of her gruelling practice regime to tell us about her decision to dedicate herself to harmonica, and share some insights to her style and influences. And as we soon found out, chasing the dream ain’t easy.

Harmonica Links: The Best And The Worst

Talk about the blind leading the blind! Elwood the Apprentice has a rant about amateur hour out there on the Internet

It’s not in the Harp Surgery’s nature to be negative. The reason for that is the Good Doctor: he’s a relentlessly positive guy who’s always looking for the best in people. It’s kind of rubbing off on me. We try to dole out the best advice possible to users, but when it comes to reviewing the goods and services in the rest of the harmonica world, we often go by the “Elwood’s Mom” Policy: if you can’t say anything nice, don’t say anything at all. If someone isn’t worth our time, we’re more likely to hold our tongue and look the other way than strip ’em naked and throw them into the flood lights, if you catch my meaning. (more…)

Harmonica Podcast: The Kids Are Alright

Harmonica Podcast 1Download the podcast (19.7MB)

As the world stumbles into a new decade, we at the Harp Surgery find ourselves contemplating the future. But we’re not thinking about jetpacks or three-course meals that you can take as a pill. No, we’re thinking about the future of the harmonica. Okay, jetpacks would also be pretty cool, but for his debut podcast, Elwood the Apprentice mumbles his way through five young players who are poised to become rising stars of the harmonica.

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London Harmonicas

Elwood blows some amateur harpLast Wednesday Elwood the Apprentice attended a year-end performance with London Harmonicas, the informal collective that meets every other Tuesday at The Torriano Pub (7.15pm for beginners, 8pm for intermediates). What he saw was a glorious vision for the socialist future of harmonica. What he heard was a little less glorious…

I’ve attended the London Harmonicas gatherings for the past two months and have really enjoyed it. There’s an excellent mix of players – a few who are navigating their first bends, a few who play real sweet and low, and most of us somewhere in between. There’s no official teacher and no elected leader, but a couple of the advanced players have stepped forward to lead us, Moses-like, to the promised land.

It’s egalitarian, it’s informal, and a fantastic place for any budding player like me to soak up some wisdom from a few seasoned players… and maybe even help a few fellow players out. A few weeks ago, for instance, I taught a guy how to bend his notes. It’s the gift that keeps on giving. (more…)

Happy Birthday Junior Wells

Happy Birthday Junior WellsThe Hoodoo Man would be 75 today.

Harmonica great Junior Wells was born December 9th 1934. It’s remarkable to think that someone who played with Muddy Waters in the early days would have been so young today (he was 19 in 1952 when he joined Muddy’s band, and died in 1998, aged 63).

I like Junior a great deal, so I’m celebrating him today. His harmonica style strikes me as being deceptively simple: he knew when not to play. And when he decided to play, he could make that thing wail like a cat being set on fire.

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Old-School Harmonica or New-School?

After chatting to Joe Filisko, Elwood the Apprentice wonders if blues harmonica really needs a war of the clones

a million bullet mics, a million Marine Bands, but just one derivative sound

Those of you who’ve been paying attention will see that I recently posted a (rather overdue) Q&A with Chicago harmonica master Joe Filisko. In a very short conversation in a very noisy pub, which I’ll admit was not conducive to nuanced debate, he contended that harmonica should stay rooted in tradition: “One might argue,” he said, “that the harmonica sounds best played as it was played in the Fifties. And if it sounds best, then why not do it?

Now, it ain’t easy arguing about harmonica with Joe Filisko. He’s nice about it, but one can hardly forget that a single horn-like blast from his Marine Band could reduce poor Elwood into nothing more than a pair of smoking Hush Puppies.

But I gotta say that Filisko’s traditionalism is just something I can’t quite swallow. (more…)