Our First-Ever Blues Harp Albums (Part 3)

In the final installment of the albums that first got us hooked on blues harp, The Captain picks out.. a blues concept album??

The Captain’s choice:
One night way back in 1991, listening to Paul Jones’ blues show on BBC Radio 2, a track sneaked out of the speakers, lodged itself in my brain and wouldn’t go away. The low hum of a vintage slide guitar, sensitive bass notes, and a brush-powered shuffle with the kind of deep, rich, effortless harmonica tone it taks half a lifetime to achieve.

The James Harman Band - Do Not DisturbThe song was ‘Stranger Blues‘ from ‘Do Not Disturb’, the Black Top Records debut of the James Harman Band.

Before I describe it, an admission. Having been asked to write about my ideal harmonica starter pack, or an album that will convert sceptics.. well, I couldn’t say 100% that it’s either. It’s a (gulp) concept album, with a loose theme of the trials and tribulations of touring and being in a band. It’s a ‘band’ album.. the variety of rhythms and sounds are effectively bound together and presented as a great blues record by a group of musicians who really know what they are doing. It DOES have harmonica (how could it not, with one of the West Coast’s leading harmonica exponents at the helm?) but it’s not a harmonica album per se. It IS, however, in my opinion, essential.

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Our First-Ever Blues Harp Albums (Part 1)

Which record got you hooked on blues harmonica? This week the Harp Surgery team goes back to Original Spin…

Elwood’s choice:

I’ll never forget the day I decided to take up blues harmonica. I was 18 years old, doing a crappy internship in a run-down part of the most boring town in England, and I decided to go shopping for music in my lunch hour. I can’t remember where I found the CD, but I do remember it just jumped right out of the shelf at me: Blue Skies, by some soulful-looking fellow named Muddy Waters.

The first track was ‘Mannish Boy’. I don’t recall the first listening per se, and yet I know exactly how it must have felt, because this bellowing, ball-tightening number still sends giant surges of electricity down the ole tendons. With Muddy on vocals, Willie Big Eyes Smith on drums, Bob Margolin on guitar and Johnny Winter on slide, the track’s signature riff has James Cotton on harp. I’d never heard of James Cotton, but that electric riff came shredding through my earphones like demonic buzz-saws being shot outta Satan’s crossbow.

I was hooked. (more…)