Whammer Jammer […with tab]

J. Geils Band - Full HouseYou gonna get it all down, get it all night, get it all right, get it out of sight and get it down baby?

Here’s the top entry in our ‘I wanna play like that’ hit list. Originally recorded on the J.Geils Band studio album The Morning After in 1971, Whammer Jammer reappeared a year later on the classic live album Full House. It is a power harping beast of the highest order.

Like the lunar landing, or the fall of the Berlin Wall, every power harp fan can remember when and where they were first Whammered! So, it’s time to reminisce a little, do some research and then, with the help of modern technology, deconstruct the song for you. Key of A major ten hole diatonics harps at the ready..
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Misty – Jerry Portnoy [..with tab]

On my own, would I wander through this wonderland alone.. Misty (Johnny Burke)

In 1995, Jerry Portnoy recorded his landmark harmonica album Home Run Hitter with The Streamliners. The record’s producer was Kim Wilson of The Fabulous Thunderbirds, while Duke Robillard contributed guitar and vocals to the project. The result is a collection of songs that bounce, groove and swing like a beast.

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For harmonica players, the album provides many rewarding avenues for exploration. This is partly owing to the diverse rhythms and styles Jerry uses, but more importantly because of his unerring attention to detail. The title track Home Run Hitter for example, is one of the finest examples of first position blues harping you’ll ever hear. If this position is new to you, or you just need to brush it up a bit, grab an E harp and play along.

In Misty (the 1954 jazz standard written by pianist Erroll Garner, adopted by Johnny Mathis with lyrics by Johnny Burke), Jerry demonstrates his ability to hit and hold those awkward cross-harp bends that would leave most of us audibly exposed. Add in the exciting transition from ballad to swing time at the midway point, and we have two and half minutes’ worth of sublime jazz. (more…)

Guitar Licks For Harmonica – You Don’t Love Me

Allman BrothersYou don’t love me, pretty baby

The Good Doctor, Greasy Rob from the garage and Barry the Landlord were enjoying some time out on the patio, shelling a mountain of fresh prawns and sipping ice-cold pilsner. Amidst occasional quacks from the village duck pond and the chirrup of sparrows in the privet hedge, they could detect the approaching whistle of Otis the postman, who was steadily making his rounds.

Shrimps and BeerHow do all!‘ Otis leaned over the Surgery gate, tugging the peak of his hat and holding out a letter for the DocThanks Otis old boy, have you time for some of our splendid seafood?’ the Doc enquired. ‘Sorry’, Otis replied, ‘I’m in a bit of a rush right now – an Otis rush you could say’. Otis was visibly pleased with his impromptu blues pun.

‘Aaah!‘ said the Doc, ‘You Don’t Love Me!‘ Otis looked a little surprised. I wouldn’t go that far‘, he replied, straightening his cap. ‘No, no, no…the letter old boy! It’s from Tom Esposito. He wants to know how to play the riff for You Don’t Love Me by The Allman Brothers’. ‘Now we’re talking!‘ whooped Otis, as he pulled a Special 20 from his pocket, ‘I likes a drop of the AB’s.’

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That’s All Folks!

Looney Tunes outro on harmonica

Otis has been talking about a Surf Guitarist he heard busking in the underground walkway under London’s Science Museum. Apparently he was so good, everyone jumped in the soup for a slide.

A detail that caught Otis’s ear was the lick the guitarist added to the end of Secret Agent Man by The Ventures. It was the familiar outro to Warner Brothers’ Looney Tunes cartoons. He played it as a group of children were passing by and it turned every single head.

Sufferin’ succotash!
We’ve tried it on the harmonica and it’s all there! You might like to add it to your repertoire. Grab a C major 10 hole diatonic and make out in first position (straight harp).

5B   4D..4B   4D   5B..4D..5B  
4B   4D..4D..4D..4D
4D   2D   3D   4D
5B   4B-5B-6B  (….gliss to 10B)

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Now show all your friends. Unless of course they’re hunting Wabbits. In which case, be vewwy, vewwy quiet.

Irish Harmonica – Garryowen

Eireann go Brach.. Happy St Patrick’s Day!

Virtually forgotten in the post-war revival of traditional Irish music, Celtic and folk harmonica has recently enjoyed a massive rise in popularity. This is largely down to the work of Brendan Power and Mick Kinsella, both of whom joined us at the UK Harmonica Festival in Bristol 2010. To celebrate St Patrick’s day, let’s investigate the Irish harmonica style a little further and learn a great tune called Garryowen.

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Brendan’s 1993 recording New Irish Harmonica ultimately led to his tenure in the Riverdance show, bringing him to the forefront of the Irish harmonica style. Meanwhile, native Irishman Mick Kinsella drew on compatriot Eddie Clarke as the major inspiration for his Celtic harping. Both are active on the Irish folk music scene today, as well as TV, Radio and Film. Did we recently hear Brendan on the soundtrack of the Leap Year movie? (more…)

Why is third position a minor key?

Flying Saucer 4Close encounters of the third kind
This question was asked by a student in our Harpin’ By The Sea beginners’ workshop; we had touched on positional playing as a way to extend the scope of the diatonic harmonica. And to be honest, it’s a fair question. Perhaps we accept the fact too easily, without asking or fully understanding the reason why. But we were a group of beginners. So we decided to explain the finer details after the workshop for those who were interested, rather than risk putting the majority off music for life. Here’s the result.

If you are unfamiliar with the concept of modes and positions, then I recommend you first check out the post entitled Modes (or visit Modes via the Theory menu at the top of the screen) and come back when you’re comfortable with everything. It’s quick and it won’t hurt! (more…)