Blow Bending… that ‘Mini-Gillespie’

Ken had a very productive session this evening, learning how to blow bend. He reminded the Good Doctor the first blow bend on hole 10 is necessary to complete the upper major octave (doh-ray-me..):

7B 8D 8B 9D 9B 10D (first blow bend..) 10B’ 10B.

We read through the blow bend page from the Harp Surgery menu and put it into practice. With patience and one-to-one coaching, Ken had his first blow bend (8 hole on an A harp) nailed within ten minutes.

His feedback? Yippee! And the ‘Mini-Gillespie air cushion’ advice on the blow bend page was crucial.

Candy’s Blues Jam – The Cantab Lounge, Boston 9th July 2008

According to the logo, The Cantab Lounge was established in 1938. Don’t ask who by or what for, but do take it as read that this is Boston’s answer to Chicago’s Rosa’s Lounge. A 15 minute taxi ride from downtown Boston took the Good Doctor across the Charles River and into Cambridge, with MIT and Harvard keeping a watchful eye on his progress. Cruising up Mass Ave towards Central Square, he soon saw the Cantab lights and the billboard advertising music 7 nights a week.

Tuesday’s at The Cantab is Bluegrass nite. Judging by the literature, one sniff of harpoonery and you’d be invited to fall on your tin sandwich by the hillbilly praetorian guard. Other nights boast blues, jazz and rock (plus a poetry ‘slam’ in the bar downstairs), BUT… every Wednesday and Sunday night at 9pm is Candy’s Blues, Jazz and Rock Jam. And it’s free. Now that’s more like it.

The Good Doctor arrived on a Wednesday evening, complete with Chicago Toolkit and a pocket full of green beer tokens. He walked right in, autographed the guest list and took a seat at the bar, no messing. He asked round for Candy. Turned out Candy was a he, and was already on stage playing guitar leading the house band. A Heineken was hastily ordered. (more…)

What Speed Do You Do Vibrato?

This was a genuine and very welcome question asked during a session at the Harp Surgery today.

Before answering, a smile grew on the Good Doctor’s face. His thoughts flashed back to a time when he first noticed how other harp players’ vibratos seemed faster, more appealing or more perfect than his own. He recalled the thrill of graduating from a struggling player with no vibrato, to one who could emulate that special throat vibrato he’d heard time and time again on recordings by Kim Wilson and The Fabulous Thunderbirds. It was a coming of age. It was fulfillment. Blow bends followed and brought with them the same sense of arrival.

‘Do you know’, answered the Good Doctor, ‘I do my vibrato at my own speed. I have tried to do it faster. I have tried to do it better. But it’s the vibrato I was born with. I have learned that it is my vibrato. It doesn’t need changing.’

Lip Freeze

Why do my lips freeze up?

It happens to us all – embarrassingly this can be in the middle of our showcase number, live and dangerous on stage. It’s happened to me on Whammer Jammer a few times. As with all things physical, if your muscles aren’t used to it, they rebel. Ever tried to do too many sit-ups? A repetitive strain occurs when your abdominal wall muscles go into spasm and lock up. You can’t move again until they have had time to relax. Lip freeze is no different – our lip muscles cramp up from under use. In their own little way they’ve run a marathon too soon. Lip freeze often kicks in when you have to purse a bit harder for a bit longer – notoriously on those top end holes. (more…)

Top End Harp Playing

Apart from the known and the unknown, what else is there?’ Harold Pinter

What is the ‘Top End’?

Holes 7-10 and everything that goes with them. When I first took up the harp, it seemed players always asked each other two questions: ‘Do you tongue block?’ and ‘Do you use the top end?’ At that time I didn’t do either. I didn’t really know what they were.

Apart from one high-pitched lick I had gleaned from The Cheaters song ‘Drugs’ (on their excellent ‘Sweat It Out’ album), I think I cracked blow bends long before I ever explored what has lovingly become known as ‘banjo country’. The top end. I go there more often these days (I also tongue block). (more…)

James Wheeler’s Blues Jam – Rosa’s Lounge, Chicago 19th June 2008

Chicago Rosa’s Lounge

If you’ve never tried it, go! Don’t expect anything grand like Buddy Guy’s Legends, this is more like going down to your local. Perfect in my opinion. Get some rest beforehand and plan to arrive between 9.30 and 10.00 pm local time (yes that’s six hours behind the UK….!). If you are a musician, take your instrument and sign up at the door. You’ll get in for free and Tony will call you up once the house band has finished its intro set (around 40 minutes). And don’t be nervous – this is a really cosy, cosmopolitan, genuinely friendly establishment. Everyone will speak to you and Tony will make you feel very welcome. The jam carries on till 2am officially, but with jet-lag and time difference I was totally knackered by around 12.30am…I guess others were too as the crowd started to thin. (more…)

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