Our First-Ever Blues Harp Albums (Part 3)

In the final installment of the albums that first got us hooked on blues harp, The Captain picks out.. a blues concept album??

The Captain’s choice:
One night way back in 1991, listening to Paul Jones’ blues show on BBC Radio 2, a track sneaked out of the speakers, lodged itself in my brain and wouldn’t go away. The low hum of a vintage slide guitar, sensitive bass notes, and a brush-powered shuffle with the kind of deep, rich, effortless harmonica tone it taks half a lifetime to achieve.

The James Harman Band - Do Not DisturbThe song was ‘Stranger Blues‘ from ‘Do Not Disturb’, the Black Top Records debut of the James Harman Band.

Before I describe it, an admission. Having been asked to write about my ideal harmonica starter pack, or an album that will convert sceptics.. well, I couldn’t say 100% that it’s either. It’s a (gulp) concept album, with a loose theme of the trials and tribulations of touring and being in a band. It’s a ‘band’ album.. the variety of rhythms and sounds are effectively bound together and presented as a great blues record by a group of musicians who really know what they are doing. It DOES have harmonica (how could it not, with one of the West Coast’s leading harmonica exponents at the helm?) but it’s not a harmonica album per se. It IS, however, in my opinion, essential.

(more…)

Our First-Ever Blues Harp Albums (Part 2)

As we review the albums that first got us hooked on blues harp, The Good Doctor tries to pick out his all-time favourite harmonica album from his days as a beginner.

The Good Doctor’s choice:
When she was a pre-schooler, I used to joke that my eldest daughter was the epitome of indecision. Presented with two options, she would innocently substitute ‘either or’ with ‘and’. Bargaining was fruitless. Consequently I developed my own circus act, flipping pancakes and toasting waffles simultaneously.

I have since learned that, given the opportunity of two best options, ‘either or’ is quite simply an unfair question. So I am taking a leaf from my daughter’s book and, free of compunction, I have to name two favourite albums. In the frying pan we have Girls Go Wild by The Fabulous Thunderbirds, while under the grill we have Live at The Marquee by 9 Below Zero. No amount of balloon debating will change my mind.

As a teenager, both these albums had me air-harping in front of the bedroom mirror. Nothing else mattered. Kim Wilson and Mark Feltham were my surrogate blues harp mentors. Real-life harp tutors did not exist in 1980 suburban England. There was Tony ‘Little Sun’ Glover’s now famous reference manual, but we had no Youtube or DVD. We had to engage our ears and our imagination, take a deep breath and figure it all out by ourselves. Which is another reason why these two albums rarely left the turntable. While they were a joy to listen to, I was also trying to copy and learn from them. (more…)