‘Be lion-mettled, proud, and take no care who chafes, who frets, or where conspirers are’ Macbeth (Shakespeare)
Brace yourself and take a deep breath. It’s time to face everyone’s worst harmonica nightmare – the three witches. They’re the three hole draws to you and me. As you are no doubt aware, if we exclude the overdraws in hole 10, this is the hole that carries the most bends. And they’re the ones we secretly dread. They never sound as strong as other notes or bends across the harp (even in the hands of the masters) and they never quite do what you want them to. I’ve heard many players camouflaging the reed’s inherent imprecision with vibrato or else they just don’t go there. Like the inconvenient pattern swap across holes 6 and 7, subconsciously we wonder who designed such a frustrating tuning system in the first place.
The message from the Good Doctor is deal with it. Embrace the challenge and don’t shy away. OK, our ears can detect the tonal imperfections, but so what? No cracked eggs, no omelette. It may be the weak spot on the harp, but it’s also part of it’s character and charm. Make it yours. So let’s feel the fear and do it anyway. Follow me.. (more…)