Harp Surgery

Old-School Harmonica or New-School?

Elwood

After chatting to Joe Filisko, Elwood the Apprentice wonders if blues harmonica really needs a war of the clones

a million bullet mics, a million Marine Bands, but just one derivative sound

Those of you who’ve been paying attention will see that I recently posted a (rather overdue) Q&A with Chicago harmonica master Joe Filisko. In a very short conversation in a very noisy pub, which I’ll admit was not conducive to nuanced debate, he contended that harmonica should stay rooted in tradition: “One might argue,” he said, “that the harmonica sounds best played as it was played in the Fifties. And if it sounds best, then why not do it?”

Now, it ain’t easy arguing about harmonica with Joe Filisko. He’s nice about it, but one can hardly forget that a single horn-like blast from his Marine Band could reduce poor Elwood into nothing more than a pair of smoking Hush Puppies.

But I gotta say that Filisko’s traditionalism is just something I can’t quite swallow. Read more

5 Questions for Joe Filisko

Elwood

Joe FiliskoElwood the Apprentice chats to the master of old-school blues harmonica

[UPDATE: Epilogue is now live – Old-school harmonica or new school?]

For a man bearing such a burden, you’d think Joe Filisko would have broader shoulders. I mean, considering he hoisted the entire tradition of blues harmonica up on them things, you’d think he’d be wide as a Buick.

Perched on a high stool with nothing but a harp, a mic and a couple of stories, his one-man show is like an oral ethnography of the blues harp tradition (see the Good Doctor’s review). Considering Filisko devoted decades to studying and mastering the styles of bluesmen long deceased, there’s just about nobody in the world who knows more about what it takes to be a Walter, Big or Small, or a Sonny of any kind.

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Great Blues Podcasts

Elwood

Elwood's House of Blues radioElwood the Apprentice samples some juicy blues folklore

The problem with the information age is that there’s just too damned much of the stuff. With all this delicious info floating about in cyber space, who has time for real life? Instead of playing harmonica, I can fritter away hours watching harp on YouTube, listening to harp on last.fm, reading about harp on forums, thinking about playing harp all the time but never actually doing so.

This is a filthy habit, as I’m sure you’re well aware – but like most filthy habits, worth indulging in every so often. One such indulgence is this treasure trove of interviews conducted by the other Elwood, Dan Ackroyd, on his House of Blues Radio show.

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Beefing Up Those Bends – 3 Draw Bends

The Good Doctor

‘Be lion-mettled, proud, and take no care who chafes, who frets, or where conspirers are’ Macbeth (Shakespeare)

Blow Your Harmonica, Son!Brace yourself and take a deep breath. It’s time to face everyone’s worst harmonica nightmare – the three witches. They’re the three hole draws to you and me. As you are no doubt aware, if we exclude the overdraws in hole 10, this is the hole that carries the most bends. And they’re the ones we secretly dread. They never sound as strong as other notes or bends across the harp (even in the hands of the masters) and they never quite do what you want them to. I’ve heard many players camouflaging the reed’s inherent imprecision with vibrato or else they just don’t go there. Like the inconvenient pattern swap across holes 6 and 7, subconsciously we wonder who designed such a frustrating tuning system in the first place.

The message from the Good Doctor is deal with it. Embrace the challenge and don’t shy away. OK, our ears can detect the tonal imperfections, but so what? No cracked eggs, no omelette. It may be the weak spot on the harp, but it’s also part of it’s character and charm. Make it yours. So let’s feel the fear and do it anyway. Follow me.. Read more

Harmonica Warm-Ups and Workout

The Good Doctor

Simple practice routines to improve your tone, tempo and breathing.

Welcome to the Harp Surgery’s Physiotherapy Department. The Good Doctor is often asked about ways to warm up, develop breathing and keep all those important harping muscles in trim. Well ultimately everyone has their own regime. The Doc himself oscillates between a good glass of New World Merlot and Marathon runs. And we all suffer from poverty of time when it comes to practising, but no pump, no jump. On which note, we are proud to announce the addition of our Warm-ups and Workout page to the Harp Skills menu. We like to think of it as our harmonica gym.

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Split Rivitt Archives

The Good Doctor

A rivitting read

Split Rivitt - Chris Warren, David Lyttelton, Dave Wilgrove, Barney Jeffrey, Mark Hughes

We recently featured a post about Split Rivitt, a largely unknown band from the UK’s R&B boom of the early 1980s. Our story recalls England’s 2009 Ashes Test victory over Australia, which reminded the Good Doctor of the BBC’s Test Match Special theme, Soul Limbo by Booker T. & The MGs. Just that is was an alternative version of the piece by Split Rivitt, replacing the original Hammond Organ lead of the original with a searing new Mouth Organ line. You can visit the article here and try the tune for yourself using the tabs.

During our research we interviewed Peter Shertser of Red Lightnin’ Records, the track’s producer, as we could find out nothing about the band on line. Being the generous sort he is, Peter kindly promised the Harp Surgery team exclusive access to his Split Rivitt archive material. Well Otis dropped off the clippings this morning, so with our thanks to Peter, we are delighted to now bring you our ‘Rivitting’ scrap book. Read more