Big Walter’s Boogie – Walter Horton

Introduction

This is THE showcase blues harmonica number which every journeyman player needs to learn. It’s a catchy melody in its own right, but it is particularly attractive when played on the blues harp. And what makes it so important to a player’s development is that, while it incorporates the essential elements of a good harmonica boogie, it offers a concise blueprint for circuiting the 12 bar format without ignoring chord changes and clinging to special effects. In other words it promotes the art of blues musicianship – how and what to play over the I, IV and V chords.

Listen to

There is no doubt that emulating Big Walter’s delivery demands a great deal of precision. You will need to master a range of techniques including tongue fluttering, octaving, puckering, tongue blocking, tongue slapping and accurate bending. All of which are sustained with excellent breath control. And above all else, you’ll have to nail that BIG tone. Take your time, pay attention to the technique and detail, and you can master this show stopper for yourself. (more…)

Weekly Harmonica Workshops on Zoom

Join us in Harp Surgery’s Zoom Room

This week we are joined by Paul Gillings who will be talking about tone.

Beginners – Every Wednesday 6pm-7pm (UK Time)
Intermediates – Every Thursday 6pm-7pm (UK Time)

Zoom
Lesson ID: 914 617 7410
Password: 058464
Download Zoom here.

The Surgery is open
While there may be exercises and topics we are currently working on, don’t let this stop you from joining in. We will ensure you are made to feel welcome. Harp Surgery is about fixing typical problems and investigating the burning issues players encounter. It’s great if you have questions, skills, pieces or other items you’d like us to investigate; when you share, we all benefit!

Voluntary contributions
It does take time to prepare and organise each workshop, so if you enjoy the experience, a donation is always welcome. If you are able to contribute, copy paypal.me/harpsurgery into your browser and donate whatever you consider reasonable. We understand that times are difficult; if you can’t contribute, please join us anyway. Read on to find out more about our programme.

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Why Is 2 Draw So Difficult?

I think my harmonica’s broken…

When learning to play individual notes for the first time, 2 draw (2D) is often the hardest reed to master. We frequently receive emails asking, is it me or is there something wrong with my harmonica? It may not be what you want to hear, but the short answer is, it ain’t the harp! OK, point of order, we have had one occasion in the last fifteen years when the instrument was at fault, but there have been a couple of blue moons since then.

2D is a long old reed, which swings through a big slot as we play it. Picture in your mind a spring diving board, fixed at one end and unfettered at the other. The reed and the diving board behave in the same way. Consider also, the fact that 2D shares a chamber with 2B, another long reed in another big old slot. These two reeds are in constant interaction, working as a pair. So we expend a lot of air when we work in hole 2 and it can feel like we’re running out of breath really quickly.

Add to this the flexibility of the reeds themselves. With a choice of one natural and two bent positions, 2D is very sensitive to changes in air pressure. When we try to play 2D for the first time, it can sound mangled or flat, but don’t panic. Alternatively, despite our best efforts, it can simply not respond at all. At the same time we seem to be inflating much faster than when we play the neighbouring holes.

Fear not, this is a really common experience. So let’s look into things together and see if we can help you overcome an important hurdle in every harmonica player’s development. It’s a short process and we promise you it will be painless. Kim followed our advice and look what happened to her! (more…)

Building Confidence in holes 7-10

Harmonica UK – Lockdown Sessions

Thank you for joining my HarmonicaUK Zoom session on accessing and playing the top end of the diatonic harmonica. Thanks also to Jason Ricci for joining us live from New Orleans with some wonderful insights into playing solo harmonica.

If you’d like to learn more about specific aspects of diatonic playing, feel free to contact me for 1:1 tuition. Alternatively come and sit in on our free weekly Workshop Group where we can share your questions and make you feel welcome.

You can review this tutorial on their website here. You can also sign up to receive their monthly magazine and news of harmonica festivals, harmonica music learning in all its forms, and other great events.

Soul Limbo – Split Rivitt (Part 1)

We respectfully dedicate these pages to the friends and family of Barney Jeffrey 1958-2008

Owzat!

Split Rivitt - Soul LimboThe Good Doctor found himself in San Francisco, the morning after England had pulled off their 2009 Ashes victory against Australia at The Oval. For those unfamiliar with this particular competition, we will go no further than to say it is a bi-annual cricket tournament played exclusively between two great Commonwealth rivals. Poms against Ozzies. On a world scale, the patriotic fervour runs disproportionately high. On a local level however, thousands of cricket fans tune their radios in and will every ball to swing their way. To partake is a birth-right. To draw is acceptable. To win is sublime.

Split Rivitt - Chris Warren, David Lyttelton, Dave Wilgrove, Barney Jeffrey, Mark HughesFrom his hotel bathroom, the Good Doctor could be heard preparing for the day ahead, humming Soul Limbo by Booker T. & The MGs. For years it had been the iconic theme music to the BBC’s evening Test Match Special programme. In the olden days, all summer long and across the nation, mothers were inadvertently swaying their hips to its tropical rhythm from behind their ironing boards. Meanwhile, fathers switched on the telly, then took to the settee with their pipe, slippers, a bottle of pale ale and an innate comprehension of cricketing’s complexities. Today of course the domestic scene is very different. Fathers vape to Sky Sports, while mothers limbo under the ironing board, swig craft gin and surf Netflix.

Listen to

Rinsing his toothbrush and still humming, the Good Doctor’s thoughts were arrested by the memory of a school mate slapping a shiny sliver of black vinyl onto the common room turntable, then grinning ear to ear as a raunchy harmonica version of Soul Limbo belted out through the stereo speakers. It was an irreverent piece of R&B; punky, zestful and hip.

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3rd Position Blues Harp – An Introduction

Harp Pic 2Anon they move, In perfect phalanx to the Dorian mode, Of flutes and recorders. Paradise Lost (Milton)

When we first pick up a diatonic harp, we’re on a mission from God. Nothing, but nothing’s going to get in our way. In short order we buy some cheap shades and a big old hat, then we embark on a crusade to capture that sound. You know the one. It fits in your pocket and goes da DAH da da.

Listen to

We raid the wardrobe, car glove compartment and every drawer for loose change, and then plunder the sofa. Then we invest our accumulated swag in a used copy of Play Like Walter in Ten Minutes, while bidding on ebay for a second hand entry level harp with a fancy name like Sonny Boy’s Special or Blues Howler. (more…)