Author: The Good Doctor

Love Me Do – The Beatles [..with tab]

Beatles HarmonicaI’ll always be true, so please, love me do

Much has been written about John Lennon’s harmonica playing with The Beatles. He started playing at a time in the 1960’s when American blues music was taking the UK by storm. Little Walter, Muddy Waters, Sonny Boy Williamson and Howlin Wolf all toured the UK. The Rolling Stones were stiff competition in the popularity stakes, with harmonica work by the multi-talented Brian Jones and many other UK R&B bands followed.

Bruce Channel was also touring the UK on the back of his ‘Hey Baby’ hit (many will be more familiar with the 1990’s cover version, famous for its loutish Ooh-Aah chant). With him was Delbert McClinton, the harmonica player on the hit. Legend has it that Delbert McClinton taught John Lennon cross harp while Channel’s band was touring Merseyside. In a later interview however McClinton busts this myth.

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Our First-Ever Blues Harp Albums (Part 2)

As we review the albums that first got us hooked on blues harp, The Good Doctor tries to pick out his all-time favourite harmonica album from his days as a beginner.

The Good Doctor’s choice:
When she was a pre-schooler, I used to joke that my eldest daughter was the epitome of indecision. Presented with two options, she would innocently substitute ‘either or’ with ‘and’. Bargaining was fruitless. Consequently I developed my own circus act, flipping pancakes and toasting waffles simultaneously.

I have since learned that, given the opportunity of two best options, ‘either or’ is quite simply an unfair question. So I am taking a leaf from my daughter’s book and, free of compunction, I have to name two favourite albums. In the frying pan we have Girls Go Wild by The Fabulous Thunderbirds, while under the grill we have Live at The Marquee by 9 Below Zero. No amount of balloon debating will change my mind.

As a teenager, both these albums had me air-harping in front of the bedroom mirror. Nothing else mattered. Kim Wilson and Mark Feltham were my surrogate blues harp mentors. Real-life harp tutors did not exist in 1980 suburban England. There was Tony ‘Little Sun’ Glover’s now famous reference manual, but we had no Youtube or DVD. We had to engage our ears and our imagination, take a deep breath and figure it all out by ourselves. Which is another reason why these two albums rarely left the turntable. While they were a joy to listen to, I was also trying to copy and learn from them. Read more

Win A Copy Of The New William Clarke CD

So many smiles down through the years

CD 01Harps down, heads up! Harp Surgery has been chatting with the lovely Jeanette Lodovici, former wife of the late great William Clarke, about her latest CD release: William Clarke – Live Bootleg Cassette Anthology. Read on to find out how you can win a copy!

Jeanette explained how the project came about: “There are so many pirate recordings out there of my late husband. Two of his fans sent me some of this bootleg music. Unfortunately it was poor quality, so I sent it to three different studios and finally we got a decent sound out of this badly recorded material.

I still had my doubts on the quality of the recording though. I promised Bill that I would never put anything ‘bad’ out of him. So I sent a few songs to eight people I respect. Seven of them told me it was great stuff and the quality really didn’t matter. Well, I went with the majority. Read more

Tip of the Top – Sonoma Chicken Coop, Campbell CA, Sat 27.Sept 2009

Old School’s Cool

TOTT copyright 2009 David Durkee

During its first months on line, Harp Surgery posted a review of Jason Ricci’s show at Biscuits and Blues in San Francisco. The event was a double leap of faith. Firstly we’d never encountered Jason’s radical playing before and secondly we’d never published a live gig review. Since cutting our teeth on both counts, Mr Ricci has become a firm friend and Harp Surgery has accumulated a small library of gig write-ups.

Readers of the Jason Ricci review may recall we forged another important friendship that night in Frisco. Aki Kumar is an honours graduate of the great Dave Barrett’s Harmonica Masterclass. A skillful musician and a true gentleman, Aki’s in high demand on the SoCal blues circuit both as a guest performer and as front man for his own stellar lineup Tip Of The Top. The Harp Surgery caught up with Aki in San Jose and, bearing in mind recent debate concerning old versus new harping, the experience was somewhat poignant. Read more

Little Bitty Pretty One (Rockin Robin) – Rod Piazza [..with tab]

Little bitty pretty one, come on and talk to me

Rod Piazza 2 ©FrankVigil.comIn a previous post we had the good fortune of reviewing Rod Piazza & The Mighty Flyers live in Las Vegas. It was a welcome treat as the Harp Surgery has always been a fan of his work. Little Bitty Pretty One (Rockin’ Robin) brought back happy memories of a time when this instrumental was a hot topic of conversation. It is not just a catchy tune; more importantly it includes a devilish switch between separate draw bends in hole 3 and the straight draw in hole 2. Something the Harp Surgery likes to call a wobble.

Wobbles can be executed in several departments of the harp. They are achieved by direct bending in one hole (this could be a draw bend or a blow bend), rolling into an adjacent hole and then returning to the original bent note or, as in this case, a second bent note in the original hole. Join us on our journey into rocking blues and all will be revealed. Read more

Pencil Full Of Lead – Which Harmonica?

Fraser Speirs by Harry MillburnI knew it was a G harp, but is it a high G harp?

Regular visitors will remember we recently ran a post about Paolo Nutini’s priapic UK No.1 hit Pencil Full Of Lead from his chart topping album Sunny Side Up. When the song first hit breakfast radio, the Harp Surgery resembled a madhouse as The Good Doctor, Elwood, Otis and Monica cavorted around the kitchen in total abandon. The The Riverboat Captain is still sounding his horn from the wheelhouse and singing along.. most of all, I’ve got my baaaaaay-bee!

One player from Nutini’s band, The Vipers, caught our collective eye of course – Fraser Speirs, Scotland’s Laird of the Moothie. That’s King of the Gob Iron to those of us south of the border. And having listened to the track with his good ear, The Doc concluded that Fraser was using a G major diatonic in 2nd position for the harmonica solo. A week or so later, Otis delivered a letter from our dear friend Tenbar who wrote I’ve been trying to figure out the Paolo Nutini track and knew it was a G harp, but is it a high G harp? Straight away the Good Doctor dispatched a missive to the tartan territories, enquiring about Fraser’s choice of instrument and which position he used on the hit.

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