Blues Harp Radio – Radio Caprice

Blues Radio IconCruisin’ and playin’ the radio

The Good Doctor had closed the Harp Surgery for the day and was just settling down to a medicinal Jim Beam when the doorbell rang. It was Otis the postman with some extra news for blues harp fans.

Otis had been messing around with the Internet Radio App on his new bluespad and stumbled across Radio Caprice’s twenty-four hour Harmonica Blues channel. Perfect for after-hours listening at the Surgery.

With no particular place to go

Radio Caprice is a free Internet Radio Station broadcast from Russia and can be located through most Internet Radio search engines. Listeners are treated to the classic tones of masters such as James Cotton, Big Walter, Rod Piazza, George Butler and Junior Wells, as well as one or two very pleasant contemporary surprises. Ron Sorin, The Pera Joe Blues Band and Sven Zetterburg are just a couple of examples the Doc and Otis grooved on down to.

Switching to cold shots of Stolyichnaya in celebration, Otis and the Doc stoked the winter coal fire and kicked back for an evening of top class entertainment. David Rotundo’s That Girl had them shimmying like a pair of old hippies on flower power. Nostrovia Radio Caprice!

Jesu Joy Of Man’s Desiring – J.S. Bach [..with tab]

Switched On BachHark, what peaceful music rings!

[To the Memory of the great Herbert Harris, Choirmaster and Organist of All Saints Church, Harpenden, UK].

Welcome to the Harp Surgery, where one minute we’re honking the blues and next minute we’re power harping on a tangent. Time now to turn the clocks back three hundred years to the ornamentation and etiquette of the Baroque.

Whether or not you’ve studied classical music, it’s a certainty you’ve encountered its superstars. In absentia, these dudes have colonised elevators, call centres hold messages and even TV theme tunes (check out The Antiques Roadshow ) for decades. Our house favourite is Johann Sebastian Bach. Jesu Joy Of Man’s Desiring, composed in the early 1700’s, was regular fayre for the Good Doctor as a junior.  And somehow, Bach was hip. (more…)

I Feel Good (I Got You)…[with tab]

Funkin’ it up on the blues harmonica

What shall we play now? Well, as the late great James Brown put it, whatever we play, it’s got to be funky! Wise words from a guy who learned harmonica as a kid; as well as the guitar, drums, piano, and of course, some hefty vocals.

Harp players are – or should be – conscious of their scope for providing not only a horn line, but a whole horn section on the humble tin sandwich. By this I mean everything from a melody which might otherwise be delivered by a single brass instrument, to a fanfare or complete horn-style fill. It’s all there waiting to be mined. So let’s dig deeper… (more…)

Boogie On Reggae Woman..[with tab]

Stevie Wonder diatonic harmonica

It was 1974. With a string of hit singles under his belt, Stevie Wonder recorded Boogie On Reggae Woman amidst some more reflective compositions for his new album, Fullfillingness’ First Finale.

The song’s title is slightly misleading. This is no Trench Town rasta vibe. There is a reggae skank for reference, but underneath it’s as fundamentally funk as Superstition and just as ground breaking.

For Harp Surgery fans, what makes the song especially interesting, is its infusion of a bluesy piano line and some highly expressive first-position blues harping. Let’s look more closely..

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Go Walkabout – Wireless Microphones

Four our final article in the Harmonica Microphones series, let’s ditch that cumbersome mic cable. Many players want to go wireless – fun, because you can go out in the audience and play, dance up on the bar, or simply have more freedom to roam around on stage. Here’s how:

A wireless system always consists of two parts. The transmitter stays with you, connects to your microphone and sends the signal out into the air using radio waves. The receiver is located near and connected to your amp. There are many types of wireless systems available to us. As a rule, you usually get what you pay for. But there are some practical considerations. (more…)

Hey There, What’s That Sound? – Microphone Feedback

We continue with the Harmonica Microphones series with some thoughts on the knotty problem of microphone feedback: what it is and how to minimise it.

Feedback is that awful loud screeching, humming and/or whistling sound a system makes when a microphone picks up the sound from the amplifier’s speaker and sends it back to the amplifier for further amplification. Every system (in this case a microphone plus amplifier) has a feedback threshold. Turn the volume up loud enough and feedback occurs. Keep the volume below that point and it doesn’t. Unfortunately we often need to have our volume very close to the feedback threshold in order to be loud enough, and so feedback can come and go as conditions change. But some setups are less prone to feedback than others, and some microphones are less prone than others. (more…)

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