learn harmonica – Page 8

Harmonica Warm-Ups and Workout

October 22, 2009 The Good Doctor

Simple practice routines to improve your tone, tempo and breathing.

Welcome to the Harp Surgery’s Physiotherapy Department. The Good Doctor is often asked about ways to warm up, develop breathing and keep all those important harping muscles in trim. Well ultimately everyone has their own regime. The Doc himself oscillates between a good glass of New World Merlot and Marathon runs. And we all suffer from poverty of time when it comes to practising, but no pump, no jump. On which note, we are proud to announce the addition of our Warm-ups and Workout page to the Harp Skills menu. We like to think of it as our harmonica gym.

Groovin’ With Mr Bloe – Part 1 [..with tab]

October 15, 2009 The Good Doctor

Groovy baby – yeah!

Otis stopped by this morning for a nice cup of tea and a sit down and brought us a lovely letter from Stuart Willowgate.

Been blowin’ since Christmas ’08 – or trying to, and loving it! I heard the song Groovin’ with Mr Bloe as the out music to Oz and James’ beer tour of Britain and have now found it on your site. I remember it the first time round! I think its on a C harp based in or around the 5 or 6 hole draw. Any tips to playing it, or a tab perhaps?

Thanks for your comments Stuart. You’d be referring to the entry about Groovin’ With Mr Bloe on our Harp Trivia Who Played That page. It’s not the first time Mr Bloe has come into conversation, so we ought to investigate the song and nail that tab for you right away. Read more

Harmonica For Dummies (ISBN 978-0-470-33729-5) – Part 1

October 13, 2009 The Good Doctor

Harmonica For Dummies I like it, I love it, I want some more of it..

Don’t just sit there, check out our Music Store and order a copy now. You’d be stark staring mad not to. This is a phenomenal piece of work. It is THE comprehensive tutorial book we’ve all been sitting around hoping someone, some day might eventually drop in our laps. You probably know the basics – and Winslow reviews these in his clear and engaging way – but what about that scary stuff beyond blow bending, octaving, tongue blocking and first, second or third positional playing?

For too long now we’ve been led, often erroneously, from entry level into the realms of intermediate playing and then abandoned like a McDonalds wrapper in the car park of life. Anything else has to be begged, borrowed or stolen from resources on YouTube or from pros who suffer extreme poverty of time. So we tend to give up and our development is curtailed. For ever. Alternatively the available information is so horribly technical that a nice cup of tea with Otis, or a comfy chair and re-run of Friends is infinitely more compelling. Read more

Pencil Full Of Lead – Paolo Nutini

October 12, 2009 The Good Doctor

I got food in my belly, a license for my telly and nothing’s gonna bring me down!

We’ve only just caught on to this track, but you should have seen the shenanigans around the breakfast table down at the Harp Surgery this morning. The Good Doctor was blowing bass on an empty scrumpy jar, Elwood was harping his little head off, Otis the postman was tapping his teaspoon on the side of his cup and the Riverboat Captain was dancing a maniacal hornpipe around the hazardous waste container. We’ve not had so much fun since last Sunday’s matinée showing of Jungle Book.

We hold our hands up and confess we know next to nothing about Paolo Nutini or his band The Vipers, except they’re from north of the border. Clearly Paolo has been a rising star for some time. For obvious reasons however, one player from amongst The Vipers caught our collective eye. He’s Fraser Speirs, the coolest Laird o’ the Moothie. This man has been a beacon for the diatonic for decades. You can see him in action here with Tam White.

Anyway, we just had to share it with you. So turn up your sound system, grab your G major diatonic (2nd position) and get with the groove! Happy Harping.

And by the way… in case you were wondering, it’s here. And yes he does the Bear Necessities too! For more information on this track and the harmonica content, see our follow up post Pencil Full Of Lead – Which Harmonica?

The Good Doctor’s Patent Blues Remedy

October 11, 2009 The Good Doctor

See me, feel me, touch me, heal me.

with Gordon Russell The Harp Surgery has been live for many months now, crammed with advice about how to do it, who else did it, when they did it, why they did it, where to hear it and what’s good about it. A lot of words for a music site. Well, we think it’s about time the Good Doctor opened his harp case and shared the medicine round. At some point you have to cut the chat and let the music do the talking. People, the Patent Blues Remedy is now live. Close all the doors, slide the phone off the hook, click here and get your fix.

You will hear edited highlights of tracks from both albums by The Blackjacks – What’s The Deal? and High Roller, samples from the Doc’s contribution to The Blue Hearts, The Elevators, Boy Cried Wolf and a secret snippet from a recent commercial music library blues CD.

We look forward to adding further tracks in the months to come and also embellishing the Surgery’s instructional pages with sound bites. Oh, and keep it strictly between yourselves, but there is rumour of the Doc making his inaugural podcast on YouTube. All coming to a PC near you. Stay tuned.

Happy harping!

Horn Concerto No.4 in Eb Major (Rondo Allegro Vivace) – W A Mozart [..with tab]

October 9, 2009 The Good Doctor

I once had a whim and I had to obey it

Welcome to part two of our Baroque Blues Harp trilogy. The headline might look rather daunting, but don’t be put off. This is a piece we have all heard at one time or another and, once you’ve heard it again, I am sure it will bring a reassured smile to your face. Written in 1786, it is the final movement from the last of Mozart’s four horn concertos. The concertos were composed for his close friend Joseph Leutgeb a master horn player of the period. This finale is written in 6/8 time as a chasse or hunting tune. Consequently there is frequent use of triads in the melody to give a hunting horn flavour and triplet phrasing for a galop effect.