1st Position Blues Harp – An Introduction (Part 3)

A guide to straight blues harping

In previous posts we considered why 1st position blues can sometimes be left in the shadows. We also touched on building a general awareness of positional playing, how some positions are interchangeable, the Ionian Mode, the low end 1st position blues scale and some low end 1st position signature riffs (links below).

One thing is certain; played well, the top register of the blues harp packs a mighty punch and it’s a crowd pleaser. Any blues harp player who likes to showboat will agree. John Popper of Blues Traveler rips it up with his quickfire high end licks. Sugar Blue blows us away in high altitude 3rd position, while Magic Dick blows the roof off with some soaring cross harp blow bends. A long list of stars knock us down every time with their death defying high wire antics. But it’s not only the fast stuff that delivers.


A Postcard From Scandinavia

..or when is a harmonica not a harmonica?

Sometimes it is important to take a complete break from the everyday, including the harmonica. A holiday should promote a renewed sense of perspective and a fresh appetite. Which is possibly the true meaning of recreation. And so it is, that not playing the harmonica can actually improve musical creativity.

This summer the Good Doctor vacated the Harp Surgery and repaired to the fresh air of Scandinavia in a bid to recharge the old electrochemical cells. If less is more, then the expansiveness, raw nature and piercing silence of Northern Europe is a source of great spiritual enrichment.

But just when he thought it was safe to run naked from the sauna, our unlikely musical instrument leapt out uninvited. Ain’t it always the way? Take Helsinki Airport for example… (more…)

Harping in Havana – a bluesman’s introduction to Latin diatonic

Latin American diatonic for the uninitiated

To witness Cuba’s musical pulse first hand and sip Mojitos in the sweat of Havana’s Bar Montserrate is privilege enough, but to sit in with the house band Sabor de Cuba, play the diatonic harmonica and get out alive? Ay Caramba! That’s the stuff of dreams.

The Montserrate is a tourist magnet for genuinely good reason. Kitsch-free, under a blanket of humidity and aromatic cigar smoke, the throb of its acoustic Latin music is quite simply mesmerising. Add a splash of Ron Cubano, a serpentine twist of Salsa dancing and you have all the ingredients of an impromptu Latin fiesta. Next time you’re in town, drop in and join the party.

During a break in the music, house vocalist Luis Franklin presented the band’s bongo drums to guests sitting at the bar. Stepping up, the Good Doctor patted a rhythm across the skins which drew a nod of approval from Luis. Followed by an offer of sale. Sadly a shortfall in funds and luggage space forestalled business and in broken Spanish the Doc explained he too was a poor musician. What do you play? Luis asked. The Doc produced a lone Lee Oskar diatonic from his bag.


1st Position Blues Harp – An Introduction (Part 2)

A guide to straight blues harping

In Part 1 we looked at an overview of first position. We considered why it may be something blues players put off till later. We noted that 1st position blues mainly comprises deep low end draw bends and confident high end blow bends, and that the middle octave has little to offer to those who cannot overbend.

We also recommended that blues players develop the ability to identify positional playing by ear. This isn’t as hard as you might believe. It’s like birdsong. You could probably recognise the call of an owl, a seagull or a finch right? Well the three principal blues harp positions also have their own signatures.

In this, the second part of our series, we look at the bottom end blues scale in 1st position and its trade licks. Meantime here’s more of our series theme tune from Nine Below Zero. The song is called Doghouse and it’s from their second album, Don’t Point Your Finger.


1st Position Blues Harp – An Introduction (Part 1)

Harps and Guitar 1A guide to straight blues harping

No force, however great, can stretch a cord, however fine, into a horizontal line which is accurately straight. Elementary Treatise On Mechanics (William Whewell)

The classic blues harmonica journey starts with a crusade to the Holy Shrine of cross harp. Whereupon, straight harp (normally in the guise of Oh Susannah) is swiftly abandoned. Drunk on the glories of success and now equipped with assault amplifiers and bullet microphones, the crusade is remobilised.

New techniques are won – including tongue blocking, vibrato, blow bends and third position blues – before a pale figure appears on the horizon; the ghost of first position. Time to go back to square one.


3rd Position Blues Harp – An Introduction

Harp Pic 2Anon they move, In perfect phalanx to the Dorian mode, Of flutes and recorders. Paradise Lost (Milton)

When we first take up the diatonic harp, we’re on a mission from God. Nothing, but nothing’s going to get in our way. In rapid order we buy some cheap shades, a big hat and set off on a crusade to find that sound. You know the one. It goes da DA da da and fits in your briefcase.

We raid every jacket pocket in the house and dredge the sofa for loose change. Then we invest our accumulated capital in a used copy of Play Like Walter in Ten Minutes while bidding for an entry level harp with a fancy name. (more…)

Octaving The Blues On Harmonica

Blues RemedyPutting double-barreled blues harp into your playing

As a journeyman blues harp player listening to the experts, there were moments when those guys hit what I call the tickle spot and I shuddered with pleasure. For years I just couldn’t work out how they did it. It just sounded like they were producing harmonics and extra fat tone from out of nowhere.

It wasn’t until I broke into third position playing and learned that octaving can be achieved with 5 hole splits – as well as easier 4 hole splits – that the secret began to reveal itself. By reapplying those 5 hole splits to cross harp, the hairs on my neck stood up and I broke out in goose bumps. Bingo! There was that tickle spot. So how do you pick it up?


Harmonica Effects 1 – Police Sirens

Jake, Elwood and The Blues MobileOur Lady of blessed acceleration don’t fail me now

As we know, every Blues Harp player grows twitchy when they hear the sound of Cop Cars in pursuit. Unless, of course, they happen to be driving one themselves. But have you ever tried to imitate the sound of a police chase on the harmonica? Grab your nearest diatonic and we’ll take a look. But before we do, just a few words from our sponsors, fresh from the Mount Prospect City police auction..

  • Jake: The Caddy. Where’s the Caddy?
  • Elwood: It’s been traded for a microphone.
  • Jake: I can see that.
  • Elwood: Like it?
  • Jake: No I don’t like it
  • [Elwood floors the gas pedal and leaps an opening drawbridge]
  • Jake: Car’s got a lot of pickup
  • Elwood: It’s got a cop motor, a 440 cubic inch plant, it’s got cop tyres, cop suspension, cop shocks. It’s a model made before catalytic converters so it’ll run good on regular gas. What do you say, is it the new Bluesmobile or what?
  • a brief pause as Jake lights his cigarette with a Zippo lighter – having previously thrown the electric car lighter out of the window]
  • Jake: Fix the cigarette lighter (more…)

Beefing Up Those Bends – 3 Draw Bends

‘Be lion-mettled, proud, and take no care who chafes, who frets, or where conspirers are’ Macbeth (Shakespeare)

Blow Your Harmonica, Son!Brace yourself and take a deep breath. It’s time to face everyone’s worst harmonica nightmare – the three witches. They’re the three hole draws to you and me. As you are no doubt aware, if we exclude the overdraws in hole 10, this is the hole that carries the most bends. And they’re the ones we secretly dread. They never sound as strong as other notes or bends across the harp (even in the hands of the masters) and they never quite do what you want them to. I’ve heard many players camouflaging the reed’s inherent imprecision with vibrato or else they just don’t go there. Like the inconvenient pattern swap across holes 6 and 7, subconsciously we wonder who designed such a frustrating tuning system in the first place.

The message from the Good Doctor is deal with it. Embrace the challenge and don’t shy away. OK, our ears can detect the tonal imperfections, but so what? No cracked eggs, no omelette. It may be the weak spot on the harp, but it’s also part of it’s character and charm. Make it yours. So let’s feel the fear and do it anyway. Follow me.. (more…)


I declare it’s a pity, and God knows it’s a crying shame

Credit to a recent contribution on Harp-L for bringing this small, but important detail to our attention. It’s a recording of the wonderful Sonny Boy Williamson II, starting Nine Below Zero with his harp the wrong way round and on camera. As you might expect from such a pro, he casually shrugs the moment off without ceremony and gets straight on with the job. And hats off to the man. That same thing could represent an insurmountable embarrassment to lesser mortals.