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Harp Tab How Do They Do That? Split Rivitt Archive 

Soul Limbo – Split Rivitt (Part 2)

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We respectfully dedicate these pages to the friends and family of Barney Jeffrey 1958-2008

Limbering up
Booker T. & The M.G.'s* - Soul-Limbo (1968, Vinyl) | DiscogsIn 1968, the soul label Stax broke away from its parent Atlantic. The first album to be released on the independent Stax label was Soul Limbo, featuring the instrumental of the same name, by“Unofficially the MGs were named after the band leader’s car”Booker T. & The MGs. The band’s leader was Booker T.Jones (Hammond Organ). Officially The MGs was short for The Memphis Group, comprising Steve Cropper (guitar), Donald ‘Duck’ Dunn (bass) and Al Jackson Jnr (drums). Unofficially the MGs were named after the band leader’s car. Booker T. himself has corroborated this piece of trivia. His earlier outfit was called the Triumphs. Clearly he had a penchant for British roadsters.

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Collectively of course, Booker T. & The MGs backed all the soul greats including Wilson Pickett, Eddie Floyd and Sam & Dave. Indeed their names are often credited as the co-songwriters. In the 1960s, two white musicians working deep inside the heart of a black music phenomenon was unusual. Cropper and Dunn later formed the nucleus of the Blues Brothers Band.

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Harp Tab How Do They Do That? Split Rivitt Archive 

Soul Limbo – Split Rivitt (Part 3)

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We respectfully dedicate these pages to the friends and family of Barney Jeffrey 1958-2008

The Venue, London

Split the bill
‘We did start a studio album together, but I wasn’t happy with what was going on so I walked out. They said they’d produce it themselves. I told them, you’ll see what happens, knowing full well they were unaware of all the pitfalls. Mark ‘Harpdog’ Hughes also played Chromatic. He was a normal kind of guy. Probably the quietest and most sensible band member. My studio notes show he was playing through a Shure Echo microphone. I think we added more harp on top and bounced it all down. I seem to remember asking him to harmonise and layer it. We were aiming at our own wall of sound. I think the end result stands on its own merit without impinging on the original.’

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‘The track never truly got the exposure it deserved because the distributor, Pinnacle, got into financial difficulty. But it was on BBC Radio 1’s A list and got a lot of airplay. In fact it charted briefly in the top 20. I don’t know how the track was chosen originally. I have always been a big Booker T. fan, so maybe I had something to do with it. Anyway I love off-the-wall stuff. I once recorded the Dambusters Theme with a Punk Band and tried to sell it to the Germans. It didn’t get very far.’ (more…)

Interviews 

Mark Feltham – The Old Market Theatre, Sat 8.Nov 2014

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Ain’t that a pity, I declare it’s a cryin’ shame

Sparklers i sepiaIt was Guy Fawkes’ night down at the Surgery. Beside the wood burner, Greasy Rob and Shagpile Jim were playing light sabres with their indoor sparklers. From the galley, the Doc was dispensing glögg and spiced ale. As Otis queued up Homework on the Sonos system, from the foggiest fathoms of his sub-conscience, he quietly muttered, ‘Poor old pigeons.’ The Doc set down his sepiamulling poker and turned from the ARGA. ‘Since when did pigeons and The J. Geils Band have anything in common?’ he asked. Otis resurfaced. ‘I was thinking of the fireworks; it’s coming down in stair-rods outside. The Rear Admiral said there’ll be a few damp squibs this year.’

Well you know it’s nine below zero
‘That’d be wet squab mate.’ Greasy Rob was chairman of the surgery’s pub quiz team and an authority on trivia. ‘Young pigeons are squab. A squib’s a small stick of dynamite; an out-sized banger to you and me. And we’re not talking Cumberland. And don’t you get me started on squid either, sick or otherwise. They’ve set up a marquee by the pond – they’ll be fine.’ Otis was back in the building. ‘Alright! Alright!’ he growled, ‘no need for the third degree.’

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At that moment JJ, the local internet radio presenter, poked his be-spectacled bonce round the parlour door. ‘You should be on Egg-Heads Rob you saucy git. Here, any of you lively lot heard who’s playing The Old Market Theatre tonight?’ He flourished a wad of tickets. ‘Only Nine Below flamin’ Zero! It’s gonna be a proper R&B shindig.’ Otis sat freeze-Old NBZ Ticketframed, still pointing his finger at the guitarist on his album cover. ‘Sup up gentleman, we have some unfinished business!‘ The Doc pulled out his press pass and slipped it into his hatband.

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Harp Mics 

Johnny Ace Harp Mics

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hThe Harmonica Microphone SeriesJohnny Ace Harp Microphones

It’s been a while since we posted anything technical from the Harp Surgery, so pull on your overalls and let’s hit the grease pit. We’ve been busy refreshing our harp rig and look forward to reporting on all the fantastic hardware we’ve assembled. Customised harp mics, harp effects pedals and tuning equipment; they’re all here. So let’s start with some real harp mic cheesecake.
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Reviews - Harps 

Hohner Rocket

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Rocket Box iiiLet me introduce my new Rocket 88

There’s a right old rumpus down at the Harp Surgery! The Doc has taken delivery of his new Hohner Rocket and he’s been putting it through its paces. The verdict? It’s everything Hohner claims it to be – comfortable, responsive and loud. If you’re considering investing in a Rocket, we say go for it, you’ll love it! It’s great for blues, rock and pretty much every contemporary style. And just to get us in the mood, here’s some Pocket Rocket from the Fab T-Birds..

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For those of you looking for more information before you dive in and buy a Rocket, it’s time to grab your beverage of choice, turn the phone to silent, draw the blinds and enjoy a good graze through our analysis below. But just before we get going..

At the start of the 2014 when we had the pleasure and good fortune of seeing Kim Wilson in San Jose, there was rumour he would be playing new Rocket harps for the show, in advance of their official release date. Contrary to speculation however, he didn’t. Nevertheless, here’s a short video of Kim trialling the Rocket at the 2014 NAMM exhibition. (more…)

Harp Tab Harp Tips 

Irish Harmonica – Garryowen

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Eireann go Brach.. Happy St Patrick’s Day!

Virtually forgotten in the post-war revival of traditional Irish music, Celtic and folk harmonica has recently enjoyed a massive rise in popularity. This is largely down to the work of Brendan Power and Mick Kinsella, both of whom joined us at the UK Harmonica Festival in Bristol 2010. To celebrate St Patrick’s day, let’s investigate the Irish harmonica style a little further and learn a great tune called Garryowen.

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Brendan’s 1993 recording New Irish Harmonica ultimately led to his tenure in the Riverdance show, bringing him to the forefront of the Irish harmonica style. Meanwhile, native Irishman Mick Kinsella drew on compatriot Eddie Clarke as the major inspiration for his Celtic harping. Both are active on the Irish folk music scene today, as well as TV, Radio and Film. Did we recently hear Brendan on the soundtrack of the Leap Year movie? (more…)