Country Harmonica – First Steps

I’m going up the country, baby do you wanna go?

So you’re a blues harp player and you’ve been asked to cover a country tune. Or perhaps the blues got you started on the harp, but now you want to try something different. Either way, where do you begin? You could try kicking off your shoes, rolling up your britches, wearing a big old cowpoke hat and wedging a tooth pick in your teeth. Not.

The answer is to start by mapping out the essential notes. We can look at technique and learn licks in future posts. But as a blues player, or any kind of player, the place to start is with the Country Scale. Let’s go.. (more…)

Amazing Grate – First Steps On Those High End Holes

How strange the sound

Young Malcolm called into the Harp Surgery today, hot on the heels of our Harpin’ By The Sea event. Having witnessed Will Greener’s performance of Amazing Grace, he was keen to revisit the tune from scratch.

Using a C major 10 hole diatonic, we knew that the tune can be played using 7B as the root. But while this avoids any nasty bends, it does sound rather shrill. Also, as a beginner, it demands a strong embouchure and some dexterity around a specific triplet of notes. (more…)

Harping in Havana – a bluesman’s introduction to Latin diatonic

Latin American diatonic for the uninitiated

To witness Cuba’s musical pulse first hand and sip Mojitos in the sweat of Havana’s Bar Montserrate is privilege enough, but to sit in with the house band Sabor de Cuba, play the diatonic harmonica and get out alive? Ay Caramba! That’s the stuff of dreams.

The Montserrate is a tourist magnet for genuinely good reason. Kitsch-free, under a blanket of humidity and aromatic cigar smoke, the throb of its acoustic Latin music is quite simply mesmerising. Add a splash of Ron Cubano, a serpentine twist of Salsa dancing and you have all the ingredients of an impromptu Latin fiesta. Next time you’re in town, drop in and join the party.

Listen to

During a break in the music, house vocalist Luis Franklin presented the band’s bongo drums to guests sitting at the bar. Stepping up, the Good Doctor patted a rhythm across the skins which drew a nod of approval from Luis. Followed by an offer of sale. Sadly a shortfall in funds and luggage space forestalled business and in broken Spanish the Doc explained he too was a poor musician. What do you play? Luis asked. The Doc produced a lone Lee Oskar diatonic from his bag.

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1st Position Blues Harp – An Introduction (Part 2)

A guide to straight blues harping

In Part 1 we looked at an overview of first position. We considered why it may be something blues players put off till later. We noted that 1st position blues mainly comprises deep low end draw bends and confident high end blow bends, and that the middle octave has little to offer to those who cannot overbend.

We also recommended that blues players develop the ability to identify positional playing by ear. This isn’t as hard as you might believe. It’s like birdsong. You could probably recognise the call of an owl, a seagull or a finch right? Well the three principal blues harp positions also have their own signatures.

In this, the second part of our series, we look at the bottom end blues scale in 1st position and its trade licks. Meantime here’s more of our series theme tune from Nine Below Zero. The song is called Doghouse and it’s from their second album, Don’t Point Your Finger. It’s played in first position using a B harp and, for information, the opening top-end lick is 10B  10B’ 9B  9B’  8B  7B .

Listen to
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Love Me Do – The Beatles [..with tab]

Beatles HarmonicaI’ll always be true, so please, love me do

Much has been written about John Lennon’s harmonica playing with The Beatles. He started playing at a time in the 1960’s when American blues music was taking the UK by storm. Little Walter, Muddy Waters, Sonny Boy Williamson and Howlin Wolf all toured the UK. The Rolling Stones were stiff competition in the popularity stakes, with harmonica work by the multi-talented Brian Jones and many other UK R&B bands followed.

Listen to

Bruce Channel was also touring the UK on the back of his ‘Hey Baby’ hit (many will be more familiar with the 1990’s cover version, famous for its loutish Ooh-Aah chant). With him was Delbert McClinton, the harmonica player on the hit. Legend has it that Delbert McClinton taught John Lennon cross harp while Channel’s band was touring Merseyside. In a later interview however McClinton busts this myth.

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Harmonica Effects 1 – Police Sirens

Jake, Elwood and The Blues MobileOur Lady of blessed acceleration don’t fail me now

As we know, every Blues Harp player grows twitchy when they hear the sound of Cop Cars in pursuit. Unless, of course, they happen to be driving one themselves. But have you ever tried to imitate the sound of a police chase on the harmonica? Grab your nearest diatonic and we’ll take a look. But before we do, just a few words from our sponsors, fresh from the Mount Prospect City police auction..

  • Jake: The Caddy. Where’s the Caddy?
  • Elwood: It’s been traded for a microphone.
  • Jake: I can see that.
  • Elwood: Like it?
  • Jake: No I don’t like it
  • [Elwood floors the gas pedal and leaps an opening drawbridge]
  • Jake: Car’s got a lot of pickup
  • Elwood: It’s got a cop motor, a 440 cubic inch plant, it’s got cop tyres, cop suspension, cop shocks. It’s a model made before catalytic converters so it’ll run good on regular gas. What do you say, is it the new Bluesmobile or what?
  • a brief pause as Jake lights his cigarette with a Zippo lighter – having previously thrown the electric car lighter out of the window]
  • Jake: Fix the cigarette lighter (more…)

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